SASHA WEST









{Tin God, the head and foot of a bed, Jackie O.}

 

The car drove {O sweet for spacious, steel and steel railings, factories refining iron}

 

back into the swamp  I did not {deflect, true as a pistol shot}

 

change my dress before {instrument of policy, open file drawers, her white skirt swirling swirling}

 

I paid my {mother in lace, terrible beauty of translucent lard, heron rising to bend the wire}

 

respects to the body {grateful but sleeping} {awful awareness fatiguing} {pills, cobbles that shook
the coffin}

 

On the way I wondered what would happen {hewing the wood with his own, adze blade humming,
kiss on the side of my neck}

 

if they identified the unknown soldier {television screens lit like candles, buffed and polished
convertible, the veil through which came at me the image of}

 

(Later they will send your brother with you {a child’s hand aloft, airplane skimming sky})

 

On Lincoln’s train his exhumed young son, {his hair buffed to a high sheen, silver is a noble
metal, scream shot through with}

 

Willie, accompanied him   At each stop they pulled L’s coffin from the train {people tore at
decorations, stole wood, kept relics secret in a drawer for years}

 

At least no frenzy to pull apart your {this dress famous, a Halloween costume, people will call me
grief }

 

body dear the thing I would have liked to only touch {volcanic ash covered cemetery in Katzmo,
AK
, undertakers made wooden furniture, watch chains from hair}

 

My reflection in the hearse’s door {guns, grinding motor lowers, lawns, prepare}

 

I look in the glass like someone {black horses for a man, white horses for a woman} 

 

important  They push you down {“the letter itself is largely concerned with the writer’s grief, the
customary subject of such letters”}

 

They will bill us {for removing body, for washing body, for preserving body}

 

two hundred and fourteen dollars {eavesdropper, disfigured ear, slow telegrapher}

 

It will seem like nothing.









Jubilate Agno

 

The dreams leak in

faulty seal, day as permeable

the latitude of intelligence sinks

Rather, it

                        retreats continually over the horizon and I on the good ship

 

Nostalgia pursue it like a receding  sun

 

pursue it like the back of a stranger on                             the escalator

                                                                                    the evangelism circuit.

                                                                                   

Years later to wake up

stewed

 

in longing                                              is surprising. Like any good country to visit

                                                            your body  made me unsettled for days.

 

And to, love, years later, be wrapped

still in arms

                                 rather phantom, rather limbs,     

 

to wake from you as if dead and made collage:

 

{I will consider our last meal.

Winter, untimely, fell.

His mouth is sweet. First, I slice the apples and Asiago cheese.}

 

turns the day into mulch in which you grow.

 

{I preheat our black oven, fill the fowls with the sections of pears.

I bake the bread. I serve his favorite meal.}

 

Let the living be concerned                                              with the living.

 

{Nightly, he washed the naked, fevered man:

his hair left behind on the pillow, his body left behind on the bed.

He slid in beside his father gently.}

 

Love is the glittering scum

which floats upon the river of seduction                                        Only your shadow

climbed back to greet me.









Museum of Natural History, Diorama #74, Gorbachev at Leningrad Airport

 

My father in a suit and tie returns home from the laboratories where he builds one-fifth scale
models of the facilities to house nuclear waste out of plexiglass. 

*

The Committee for Design decides on a replica of the government-approved photo from the
Russian paper.

*

When I was little, we lobbed stones across the wide expanse of sand in the arroyo.

*

One man’s job requires he unfurl the carpet down the airplane stairs, make it a glassy-smooth
surface.

*

My father waves out the door of the plane, flapping his hat like a sail.

*

The lake on G’s head has measurable borders, is not, probably, like our coast, infinite.

*

Men are a bother when they love you too much—

*

Stewardess Manual: For dessert crème brulée goes well with espresso and is best in very small
dishes. Use caution with the torches as you carmeize the sugar. The silver coffee service is
located in the cabinet with the airsick bags.

*

or too little.

*

“I’m not a lonely person.” (No record exactly of when the president says this—into a microphone?
Beside a seashore?)

*

But I do from time to time think: Is this all?

*

At the auction: (Overheard) those shoes should fetch quite a price. (Overheard) Too lifelike.
(Overheard)  I used to dream he held a pocketknife and wanted me to do the tango with him.

*

We spent our childhoods under the metaphorical desk of the mushroom cloud.

*

The someone tracing the birthmark onto the wax must have had a steady hand. The woman
arranging his wife’s stole had plenty of opportunity to feel the ample arms, but not to cast from
life.

*

Such a thing prepares you for drama the rest of it.

*

Makes it disappointing to die in your sleep.

*

The catalogue does not list the men lost or packed away in snow.

*

After the cold war, G started painting. He signed the paint by numbers with a flourish.

 

 

 



 



 

 






Sasha West
is a doctoral candidate at the University of Houston Creative Writing Program. Her poems and reviews have appeared in American Letters & Commentary, Chelsea, Third Coast, and elsewhere. She was recently nominated for a Pushcart.





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