KIRA HENEHAN









I Am He Said Perfectly Well

 

i.

Tis grim   ‘tis grim   in the scrim and the sea-

monkey hive is abuzz tonight. Your thin silver heart

marks where mine has been   dog-tagged.

 

We’ve seen this never-before-seen thing

before   the medics wonder after it. The starch

has gone from the linen   leaves a gay

time   untraceable.

 

The clock is ten the monkeys drowned   the boats

have all been run aground   in a brainstorm

(the butt of more jokes   I’d think). They returned

to   and glorious   facades   strung in clotheslines.

 

 

ii.

I share an internal weather with dictators. Nine

stars eleven stars twenty-four stars are out   yet

I remain   an anxious tic of history   Fidel’s

attendants the last men mourning.

 

Regulus dimmed   a sort of pigeons-in-the-

wall sound. They returned to find   the

boatlift nixed they returned to

 

Menacing

 

 

iii.

Ah,   weather. You wrote some

similar thing aimed elsewhere. Westerly

menace   then? An aging ballet? Run riot

you say? Hastily clothes-pinned

 

at sea level? The Peter Pan   interdiction

after all a failed venture. Your glossy rail

against tempest   lacks   conviction. Scuttle

me down into frail   pale parts   ‘tis grim

 

 

iv.

I’ve jotted some thoughts in indelible ink on

an anchor. Denebola. Cienfuegos. Kedge.

Algieba. Cardenas. The sea with nothing

better to do   housing river-raft riot   laps

us up til it’s through.

 








Epistolary Love Story in Exotic Climes

 

Posted 10/05

Fore or aft in the mid-night wake of you. We’ve been moving not slowly,
no, so I shout my eyes with barely any red or run. What you then begged
nothing separate from sleep but only reminded (the seventy-percent
humid of you, flayed in fever-lash – versus pillowed so cool) and left. I’ve
three new volumes, arranged by color: red- green- and yellow-rowed on
down the line. This day was in 1921 the first radio broadcast of the World
Series. (Everything she said too late to stop the night from starring.
There is nothing for it.) Remember me to your reflection, out where it
shaves itself smooth as its own glass. Does it not tempt your pocket?
Does it not then still your thoughts on winter?

 

 

 

Posted 10/07

Of you who asks new names, a grudge. What unmasked wonder you
remain (here). Pennies hoarded in cushions et cetera. All that was
asked, a small day’s square. Ancient insomnias remember themselves
and so divide my nights; suppose we had not been consumed? “Failing a
fitting” the bride shall go naked in what, my dear, is called a traipse. It is
raining disconsolate here across the Oriental carpet (what anymore can
we say?) and accusatory music erupts from upstairs. Practice your
pining (he dilates with interest) and avoid that quarry of amiability we
once called a dance-hall. Always.

 

 

 

Posted 10/17

I will never eat a lumbering sea-bottom insect, and have not changed the
station since you left. I listen now mornings to computer-generated
weather. The lizards step rain on the outside walls until the nighttime
fires. You fished up all the summer so we held a vote – it is early autumn
and you carry in your quiver a wrack of bronze-limbed instruments,
horning and clanging a steeple-song. You could, instead, be feathered or
starred (no symbols where none intended). The trawlers wake.

 

 

 

Posted 10/22

On the occasion of a picture: this photo’s breath of what (once lied) I
remain to be seems not – but enough. I have poured three glasses and
prefer not to see where I’ve walked walked before. We slept one morning
in an ending we could not quite know, and in the eventual an orchestra
spurned the needle which let it sing. In the aim of air one cannot fill an
arm and be the same. An always fail in away-facing footsteps; things are,
we are aware, round and roll. Watch now how summer faces fall, how
white hair under a white brim still is distinguished, you who enjoys a mild
autism now and then: even you see heads hatted, and see. My shadow
in the banyan tree.

 

 

 

Posted 10/29

A lull in the plaster, you can see from here a potted palm, serious as
ladies leaving. So too my face; it will reflect say the cheetah’s waylaid
leap, or not, it will not hover like late sun over dead-grass eyes and
dead-grass hair. I’ve enveloped a terror in tight-cocooned you. The
parade slows in the home-stretch (the measure of legs a useless
expedient). I am reminded of a morning, braided crown of fingers held to
head and you crowed. Tell me one lie – I have guessed your pleasure. I
have also made several times the sign for water and become now
wonderful (with still thirst) at the high water here.
There have been
warmer days than New York late October so to find oneself skirted and
so far out of habit, well, it makes what a hem blown suggests.









Geronimo

 

i.

It is likely soon to be coming on two. What someone once you were – well. No
answer ever presents itself, only words without context. Say oyster. And what
days appeared before us. Clots of sidewalk, ceiling light. There is one outside on
whom I lavish a quick and unlikely attention. There is one inside on whom dark
leaks in inkblots.

 

 

ii.

This is the last night of undersand sleeping it is about to be hot it is about heat
and blur and drench it is not how an umbrella is shaken dry snapped shut and
discarded to corner awaiting later squalls.

 

 

iii.

This is a sun doubling as shuttlecock. So make your scuttling sidewise entreaty
and don’t mind my shallow of blood. I would suggest while it lets to chase
whatever it is you crave – a cold climate – what? And their what? Magnificence. I
have no love for invertebrate accents and really now very little benevolence
towards these tiny jabs they will not stop I will.

 

 

iv.

“O Geronimo! You may well peel time from its clean bleach of skull and in doing
so undo. Keep in mind that a bed ridden backwards remembers no one. I will
remember you with all due ferocity. I will save to remembering only carefully
chosen – the choicest of – I will call them one and two and one will be cool
sheets hotted and two the sly spread of your after all quite handsome ears.”

 

 

v.

I will remember you a scant satellite and dismissal.

















Kira Henehan is the author of two chapbooks: The Investigations (A Rest Press) and Seven Palms (Fungo Monographs). Her work has appeared in journals such as Fence, jubilat, Denver Quarterly, Unsaid, and Chelsea, and reprinted in a Pushcart Prize anthology. She lives in New York.




[step back to issue 6]