JAMES BELFLOWER









From JOHNNY CASH AT FOLSOM

 

 

gold

below

them

stones

that

rock n’ roll

 

Never been to prison of any kind, not maximum, minimum, medium…any. I seen a lot uh movies: Birdman of Alcatraz, Papillon, The Great Escape, that Clint Eastwood one where they make a paper-maché head and tuck it in at night. The guard finds it and it turns toward him, chapped lips. He blows a whistle and lifts his baton that would shine more if the cell had a brighter overhead bulb. However, it takes a while for them to find the paper-maché brick that covers the tunnel, because it is stippled just so…just so. It reminds me of a man’s face I saw in another prison movie, the name escapes me.

 

 

 

 

 

 

 

 

 

 

 

history to

tape

shot

in

Reno

 

 

The pocking of a myth occurs: you and I crouch near the corner stone. In this case native stone. Discussion: O’ what do you think? I don’t know what do you think? We chatter away onto the stone. We speak around it, partly because a structure now surrounds it. Voices ponder up the walls, in the grout boundaries. The dead originary stone walks away inflected. Probably north, since that is a heavenly direction. Thunderous P.A. announcements.


“7427

prison-

er

7427,

please…”

 

Personally, it is the simplicity of the supplication. Where does this “please” fit? Yes, it contains some of the letters of ‘penitentiary,’ but bear in mind it contains just as many of the letters in ‘penthouse.’ Moreover, the location we are discussing probably contains many, many penthouses of a sort. There are things happening within both, better left to the electrified sound hole of wish.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

yell

ow

yell real

low

 

Very true, otherwise they’ll hear ya'll.

 

 

 


I’dem

no

I’m not

 

 A common feeling, inside or out. It seems like the inside is usually what determines this. Many times unknowingly. You lay out a pair of clothes. The next day another. Or you don’t lay them out, you choose as you push your hand through the sleeve. Then whether or not to button it, if it even has a colored button sewn somewhere underneath your wrist, or between your breasts. What a coincidence. We came tonight both dressed. To be together, forever.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pepper

sprout

there

are

 

many strains of fever. The concern today is Avian Bird flu. In a recent poem, I referred to the family as an aviary. No, the family photo album as an aviary. Though rethinking it, it may slide between both. Don’t mistake me, I don’t mean that they are like a plague. I was daydreaming of trying to identify a                         in a startled aviary. It is hot in here. "Can ya’ll believe this yellow water. My hats off to you!”
“I’m

tawlkin’

with my

mouwth”

 

Yes, yes you are. Good, good, that’s our first lesson for today.

 

 

Let the circle…be unbroken…by and by Lord, by and by…Let the cleric…be unbroken…by and by Lord, by and by…Let the question…be horizon, baby baby…baby, baby…let me suck…that microphone…let me guzzle

 

 

 

 

 

 

 

 

 

 

 

 

 

 

jump

Johnny

jump

up

 

M’s poem “Autobiography 15” also contains these three words, and others. I though it an appropriate idem. M’s poem contains the word ‘idem’ also. I wonder if these words are similar? We might ask the root that controls the chord spacing. Well, let me ask you, how many Johnny’s do you know now, as opposed to 10 years ago or as opposed to the name John? The clerk asks her where she got such a beautiful name: “From a baby book.”

 

 

 

 


just

regard

him

die

 

Let me ask you, if you had to sing the line this way, would you? You are dressed in mostly black, (probably not your tightie-whities) and implored to sing these lyrics with all the gusto you can muster. You’re in mostly black. The stage lights are dim, you recognize your band members, though never having met them. Someone you recognize for obvious reasons is poking her head out from around the right hand side of the curtain. Someone yells your name stretching the monosyllabic last name down a long ramp. You’re mostly in black.

 

 

 

 

 

 

 

 

 

 







James Belflower’s
work has appeared in or is forthcoming from, Alice Blue Review, Xantippe, Anthology, The Poetry Letter, Square One, Wordletting, The Banyan Review, Phoebe, New Review of Literature, First Intensity, and Barrow Street.





[step back to issue 8]