BRUCE COVEY









Irrigate

 

Bend it to get a better angle

Across your knee, what you saw

Thru dirigible’s sky

 

The part that turns in

A kaleidoscope’s current

Wing that west & change

 

For dime’s ablution.  Regular?

Bend to access the section

Around its corner

 

The copper piece bronze braid

& your stiff lip to encase it

Seeing who has to

 

Gather everyone into a room

& review who died & why

How’s thunderstorm

 

Or wagon wheels

Redistributing gravel.  Couple

Holes, a creature

 

Wriggles its ends & parched

Awaits atmosphere’s

Hydrogen reallocation

 

A paper one, an airplane’s

Worth of moisture that flutters

To the stem

 

Too late & paused for instruction

 

 

 


 

 

 



Acrobat Formula

 

Ditto, come see what’s new for rain!

Dotted jump rope, two cans, & a carrier pigeon

To carry the fibred puffs of smoke,

Large as cigarette cartons,

Into the fabric decoder ring

Itself a mystic tautology

 

In the end it’s the eye

That sorts out the pungent seeds

& dashes & dots them between raindrops

& into the rayon, easy to clean dumpster

& to nibble on these phonemes

 

Because when it’s all clear

The liaison will negotiate the hypotenuse

Connecting hangar to plane

& in the ultimate insertion

Redirect your woolen attention

Straight to the arrow that implies the trapeze

 

 

 


 

 

 

 

Science Fiction

 

Frozen it’s a bicycle electric streamer.  Dear

Ear, lend me an ace, an orange bowl of sherbet

A pin & something to write on.  Now paperclipping

The everyday to the fantastic & turning on the fan

So that a diamond stands in as y; x hangs in

For turn.  The road hovering over its map, with

A soda machine at the 6-way & many topics:

Ice Cream, nearby’s collie, long before they even

Got divorced.  The one on TV & the talk of the town:

Space vehicles & insect repulsion systems now work,

Watching them in action at the open doorway

& on a cot or squatting or sit, so that really really

Someone must, dragging her magnetic self behind

& gasping at the arrays of filings—did this all

For me, you did this all for me!

 

 






 

 









Bruce Covey
is Lecturer of Creative Writing at Emory University and the author of The Greek Gods as Telephone Wires and the forthcoming Ten Pins, Ten Frames (Front Room, Ann Arbor) and Elapsing Speedway Organism (No Tell Books, Washington, DC).  His recent poems also appear or are forthcoming in Aufgabe, Verse, LIT, The Hat, Bombay Gin, Boog City, Explosive Magazine, and other journals.  He edits the web-based poetry magazine Coconut and curates the What's New in Poetry reading series in Atlanta.









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